Designing OFFSIDE was about translating motion into print. I wanted every spread to feel alive, like it could move if you blinked. Each section carries its own color language, shaping how readers experience different facets of speed: the body, the mind, and the culture around it. The process was very explorative, testing typography that feels fast, layouts that stretch and tighten like muscle, and imagery that carries energy without chaos. The goal was not just to design a magazine, but to build a visual system that captures the pulse of sport and the mindset that drives it.